“I was never going to be one of those people standing alongside other creative movers and shakers, guiding photographers through hallways beautifully decorated with antiques. As much as I hate to admit it, no one wants to take a tour of my old PEZ dispensers.” New work from Alex Ebel.
“I was never going to be one of those people standing alongside other creative movers and shakers, guiding photographers through hallways beautifully decorated with antiques. As much as I hate to admit it, no one wants to take a tour of my old PEZ dispensers.” New work from Alex Ebel.
“I saw the abducted baby being brought in on the back of a pick-up truck, the blanked lifted by the wind. She was half-eaten by dogs – they found her on a garbage landfill site. ” A new prose poem by Rose Mary Boehm.
“I saw the abducted baby being brought in on the back of a pick-up truck, the blanked lifted by the wind. She was half-eaten by dogs – they found her on a garbage landfill site. ” A new prose poem by Rose Mary Boehm.
“The tragedy of “Montage of Heck” is in the annihilation of the sacred space that must exist between the artist and his art for the illusion to be sustained.” A review by Jenn-Anne Gledhill
“The tragedy of “Montage of Heck” is in the annihilation of the sacred space that must exist between the artist and his art for the illusion to be sustained.” A review by Jenn-Anne Gledhill
“The way my hands form into shapes I once found near impossible at the thought of a letter, shocks me. It’s a form of mastery that at fifteen, I didn’t believe myself capable of.” Ryan Bradley tells his story of the Beatles’ “I Want to Hold Your Hand.”
“The way my hands form into shapes I once found near impossible at the thought of a letter, shocks me. It’s a form of mastery that at fifteen, I didn’t believe myself capable of.” Ryan Bradley tells his story of the Beatles’ “I Want to Hold Your Hand.”